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Welcome (Instrumental)

from Invisible Me Instrumentals (LP) by Elvis Orbison

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lyrics

welcome to my home
this is where I roll
this is where I sit
and settle in my shit
with my vacant stare
and my heavy airs
in the hush hush tones
this is where I’ve grown

it’s a lovely day
for a little pain
not a thing to say but
baby doll could you be my lover

when I was five
I fell asleep and died
and just for a moment
everything was fine
oh my god
could we get much higher

welcome to my hell
where I ring my bell
where I never pray
every other day

and when I bang my head
to some Grateful Dead
what I really mean to say is
sugarpill
have you seen my mother

when I was five
I fell asleep and died
and just for a moment
everything was right
oh my god
could we get much higher

and now that I am older
I see how that any day I might fly
so gentle flower I will ask you again and
darlin’ please don’t lie
baby could you be my lover

welcome to my home
this is where I roll
chillin’ with my friends
I hope you come again

****

Music and lyrics by Brett Lyda

Brett Lyda: vox, guitars, bass, keys
George Bernardo: drums
Michael Feldman: clavinet
David Bianco: additional percussion

Produced by
George Bernardo & Jeremy Underwood

Mixed by David Bianco

Recorded and engineered by George Bernardo, Jeremy Underwood, David Bianco, Michael Feldman, Brett Lyda, Geof Brandin, Michael Marqueson, Shawn Power and Brian Walsh

Recorded over three years in various houses and garages in Los Feliz, Silverlake, South Pasadena, Highland Park, Pasadena, Hollywood, Glendale, Culver City, San Gabriel, Echo Park, Happy Valley, North Hollywood, San Diego and St Lucia

Additional recording at

Dave’s Room in North Hollywood

and Spotless Digital Studios in San Diego

Mastered by Louie Teran at Marcussen Mastering

Design by Canteen

For more info and exclusive content:

www.elvisorbison.com

credits

from Invisible Me Instrumentals (LP), released June 1, 2011

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all rights reserved

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Elvis Orbison Los Angeles, California

It’s humid. There are hundreds of mosquitoes taking samples of you. The water flows languidly, almost tumbling over itself in heaps. Even the grass is despondent. What can you do?

If you’re Brett Lyda aka Elvis Orbison, you wait. Patiently. Sooner or later something will move, letting you know it’s time. Time to move your index finger from the B string to the G. Then you wait some more.
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